
There is an editorial in today’s New York Times that really touched me. It centered on the case of Benita Veliz, a 23 year-old college graduate. Here is the link--read the article and get back to me.
I don’t care what your opinion on “illegal immigration” is, but if you are able to look at this young woman from a pure, non-judgmental point of view, this is certainly someone that I would want in my corner.
In spite of the obstacles that she has undoubtedly faced and faces now, she moves forward. I am sure she has become discouraged along the way, but she has this knowing quality in her heart and soul that soothes the doubts and affirms, “Benita, keep going--this is what the universe intended.”
So, how do we do this? How do we do this when we “know” that we have this stuff in our heads that tells us “What are you thinking?” and “You can’t do this!!”
Oh, ye of little faith! Recognizing that, “Yes, in my past these things have occurred that have hindered me, but today is the day I take the leap. Today is the day that I acknowledge my past. Today is the day that I respect and forgive the decisions I have made, knowing that I did what I had to do AT THAT TIME.”
When we remove the debris that we so recklessly collect, when we move aside the hurts and sorrows and anger, we can do what Benita is doing. We can stretch ourselves, we can challenge the “No you cant’s” that are racing through our minds.
Last year, I realized that I was feeling less than “myself.” Yes, I was working, I was having quality family time, but I knew that I needed to stretch some other muscles. So I thought I would take an acting class at The Stella Adler Studio here in Manhattan--just a few blocks from my office. Perfect.
Now, I was in Debate and Forensics in high school--I did okay, won a few trophies, but I never really “acted.” The closest I got was an offer to sing a solo in my grade school Christmas Pageant. “Silver Bells” was the song--I chickened out at the last minute and my neighbor, Colette White, got the shot at stardom. Grrrrrrr. I hold no grudges.
So, armed with these near-misses at fame, I showed up in this well-worn and dated studio in March of last year. One of our first lessons, was to get to “our truth”. Acting, the instructor described, is not just having the words, but getting to the truth of the words, of the character’s intent. To do that, she said, we must SHOW truth to our audience.
Well, I thought, that doesn’t sound so tough. The assigned homework was to bring in 2 items and “use them truthfully” and the class would decide whether or not we achieved.
Here comes the confession. I did not really prepare in the way that I should have. The morning of class, I raced through my house and grabbed a camera and a needle and thread and a pair of shorts that had lost its button. I had a full roster of clients that morning and as such, did not practice my truth-showing exercise.
When it was my turn to go, I sensed trouble. I fully realized that I was not prepared but I forged on. I did my lame exercise with the camera, shooting away, praying that I would not be “found out.” The instructor looked at me cautiously and said, “Okay, um, what else do you have?” Shit--she knows. At this point, the sweat began to pour from my forehead, the back of my neck and my temples. It was a shower on 28th Street.
“Come on, Jeff--pull it together,” I mumbled to myself as the class looked on, probably hoping that my agony would soon end. I pulled out the needle and thread and the shorts and the button, and began to sew. I sewed for at least 2 or 3 minutes, all the while hoping that I would needle an artery to put me and the class out of this misery. I occasionally looked up in the direction of my instructor, with pleading eyes--let this end!!
“Okay, Jeff--good! Good! That is truth--wonderful!”
What? My head was spinning, I was drenched down to my socks, but, hell--I had shown truth. I mopped my head with the shorts, needle and thread still connected--that was also truth.
From that point on, I was on fire. I did not care that some of these people in this class thought of themselves as the next Sean Penn or Meryl Streep. I only focused on what I needed to do to advance my skills and learn. Comparing ourselves to others is merely another barrier to discovering what we need to learn about ourselves.
The final classes focused on us doing an actual scene. “Know the playwright’s truth, know the character’s truth, know your truth,” we were instructed.
Armed and dangerous, I practiced and practiced. I purchased a mini-recorder where I could listen to my speech in the car, noting inflections, pauses, changes in emotional intent.
The day came:
“The fog was where I wanted to be. Halfway down the path......”
Eugene O’ Neill and Benita Veliz--eat your heart out!

